Part 11 (1/2)

”The bud vanishes in the breaking of the blossom, and one could say that the former is contradicted by the latter. In the same way, the fruit declares the blossom to be a false existence and replaces it as its truth. These forms are not merely different from one another but they crowd each other out as they are incompatible. Their Quid nature makes them at once into moments of the organic whole in which they not only do not contradict each other, but in which the one is as necessary as the other, and it is only this equal necessity that const.i.tutes the life of the whole.”

In these words of Hegel, the most significant traits of his mode of conception are expressed. He believes that the things of reality carry within themselves their own contradiction and that the incentive for their growth, for the living process of their development, is given by the fact that they continually attempt to overcome this contradiction. The blossom would never become fruit if it were without contradiction. It would have no reason to go beyond its unquestioned existence.

An exactly opposite intellectual conviction forms the point of departure of Johann Friedrich Herbart (1776 1841). Hegel is a sharp thinker, but at the same time a spirit with a great thirst for reality. He would like to have only things that have absorbed the rich, saturated content of the world into themselves. For this reason, Hegel's thoughts must also be in an eternal flux, in a continuous state of becoming, in a forward motion as full of contradictions as reality itself.

Herbart is a completely abstract thinker. He does not attempt to penetrate into things but looks at them from the corner into

which he has withdrawn as an isolated thinker. The purely logical thinker is disturbed by a contradiction. He demands clear concepts that can exist side by side. One concept must not interfere with another. The thinker sees himself in a strange situation because he is confronted with reality that is full of contradictions, no matter what he may undertake. The concepts that he can derive from this reality are unsatisfactory to him. They offend his logical sense. This feeling of dissatisfaction becomes the point of departure. Herbart feels that if the reality that is spread out before his senses and before his mind supplies him with contradictory concepts, then it cannot be the true reality for which his thinking is striving. He derives his task from this situation. The contradictory reality is not real being but only appearance. In this view he follows Kant to a certain degree, but while Kant declares true being unattainable to thinking cognition, Herbart believes one penetrates from appearance to being by transforming the contradictory concepts of appearance and changing them into concepts that are free from contradictions. As smoke indicates fire, so appearance points at a form of being as its ground. If, through our logical thinking, we elaborate out of a contradictory world picture given to us by our senses and our mind, one that is not contradictory, then we gain from this uncontradictory world picture what we are looking for. This world picture, to be sure, does not appear in this form that is free from contradictions, but it lies behind the apparent one as true reality. Herbart does not set out to comprehend the directly given reality, but creates another reality through which the former is to become explainable. He arrives in this fas.h.i.+on at an abstract thought system that looks rather meager as compared to the rich, full reality. The true reality cannot be a unity, for a unity would have to contain within itself the infinite variety of the real things and events. It must be a plurality of simple ent.i.ties, eternally equal to themselves, incapable of change and

development. Only a simple ent.i.ty that unchangeably preserves its qualities is free from contradictions. An ent.i.ty in development is something different in one moment from what it is in another, that is, its qualities are contradictory at various times. The true world is, therefore, a plurality of simple, never-changing ent.i.ties, and what we perceive are not these simple ent.i.ties but their relations to one another. These relations have nothing to do with the real being. If one simple ent.i.ty enters into a relations.h.i.+p with another, the two ent.i.ties are not changed thereby, but I do perceive the result of their relations.h.i.+p. The reality we perceive directly is a sum of relations between real ent.i.ties. When one ent.i.ty abandons its relation to another and replaces it by a relations.h.i.+p with a third ent.i.ty, something happens without touching the being of the ent.i.ties themselves. It is this event that we perceive, namely, our apparent contradictory reality. It is interesting to note how Herbart, on the basis of this conception, forms his thoughts concerning the life of the soul. The soul is, as are all other real ent.i.ties, simple and unchangeable in itself. This ent.i.ty is now engaged in relations with other beings. The expression of these relations is life in thought-pictures.

Everything that happens within us - imagination, feeling, will - is an interplay between the soul and the rest of the world of real ent.i.ties. Thus, for Herbart, the soul life becomes the appearance of relations into which the simple soul-ent.i.ty enters with the world. Herbart has a mathematical mind, and his whole world conception is derived fundamentally from mathematical conceptions. A number does not change when it becomes the link of an arithmetical operation. Three remains three, whether it is added to four or subtracted from seven. As the numbers have their place within the mathematical operations, so do the individual ent.i.ties within the relations.h.i.+ps that develop between them. For this reason, psychology becomes an arithmetical operation for Herbart. He attempts to apply mathematics to psychology. How the

thought-images condition each other, how they effect one another, what results they produce through their coexistence are things calculated by Herbart. The ”ego” is not the spiritual ent.i.ty that we lay hold of in our self-consciousness, but it is the result of the cooperation of all thought-pictures and thereby also nothing more than a sum, a last expression of relations.h.i.+ps. Of the simple ent.i.ty, which is the basis of our soul life, we know nothing, but its continual relation to other ent.i.ties is apparent to us. In this play of relations one ent.i.ty is entangled. This condition is expressed by the fact that all these relations.h.i.+ps are tending toward a center, and this tendency expresses itself in the thought of the ego.

Herbart is, in another sense than Goethe, Schiller, Sch.e.l.ling, Fichte and Hegel, a representative of the development of modern world conception. Those thinkers attempt a representation of the self-conscious soul in a world picture capable of containing this self-conscious soul as an element.

In so doing they become the spokesmen for the spiritual impulse of their age. Herbart is confronted with this impulse and he must admit the feeling that this impulse is there. He attempts to understand it, but in the form of thinking that he imagines to be the correct one, he finds no possibility of penetrating into the life of the self-conscious being of the soul.

He remains outside of it. One can see in Herbart's world conception what difficulties man's thinking encounters when it tries to comprehend what it has essentially become in the course of mankind's evolution. Compared to Hegel, Herbart appears like a thinker who strives in vain for an aim at which Hegel believes actually to have arrived. Herbart's thought constructions are an attempt to outline as an external spectator what Hegel means to present through the inner partic.i.p.ation of thought. Thinkers like Herbart are also significant for the characterization of the modern form of world conception. They indicate the aim that is to be reached

by the very display of their insufficient means for the attainment of this aim. The spiritual aim of the age motivates Herbart's struggle; his intellectual energy is inadequate to understand and to express this struggle sufficiently. The course of the philosophical evolution shows that, besides the thinkers who move on the crest of the time-impulses, there are also always some active ones who form world conceptions through their failure to understand these impulses. Such world conceptions may well be called reactionary.

Herbart reverts to the view of Leibniz. His simple soul ent.i.ty is unchangeable; it neither grows nor decays. It existed when this apparent life contained within man's ego began, and will again withdraw from these relations when this life ceases to continue independently. Herbart arrives at his conception of G.o.d through his world picture, which contains many simple ent.i.ties that produce the events through their relations.

Within these processes we observe purpose-directed order.

But the relations could only be accidental and chaotic if the ent.i.ties, which, according to their own nature, would have nothing in common, were left entirely to themselves. The fact that they are teleologically ordered, therefore, points toward a wise world ruler who directs their relations. ”No one is capable of giving a close definition of deity,” says Herbart. He condemns ”the pretensions of the systems that speak of G.o.d as of an object to be comprehended in sharply drawn contours by means of which we would rise to a knowledge for which we are simply denied the data.”

Man's actions and artistic creations are completely without foundation in this world picture. All possibility to fit them into this system is lacking. For what could a relations.h.i.+p of simple ent.i.ties that are completely indifferent to all processes mean to the actions of man? So Herbart is forced to look for independent tools both for ethics and for esthetics. He believes he finds them in human feeling. When man perceives

things or events, he can a.s.sociate the feeling of pleasure or displeasure with them. We are pleased when we see man's will going in a direction that is in agreement with his convictions.

When we make the opposite observation, the feeling of displeasure overcomes us. Because of this feeling we call the agreement of conviction and will good; the discord, we call morally reprehensible. A feeling of this kind can be attached only to a relations.h.i.+p between moral elements. The will as such is morally indifferent, as is also the conviction. Only when the two meet does ethical pleasure or displeasure emerge. Herbart calls a relation of moral elements a practical idea. He enumerates five such practical-ethical ideas: The idea of moral freedom, consisting of the agreement of will and moral conviction; the idea of perfection that has its basis in the fact that the strong pleases rather than the weak; the idea of right, which springs from displeasure with antagonism; the idea of benevolence, which expresses the pleasure that one feels as one furthers the will of another person; the idea of retribution, which demands that all good and evil that has originated in a person is to be compensated again in the same person.

Herbart bases his ethics on a human feeling, on moral sentiment. He separates it from the world conception that has to do with what is, and transforms it into a number of postulates of what should be. He combines it with esthetics and, indeed, makes it a part of them. For the science of esthetics also contains postulates concerning what is to be. It, too, deals with relations that are a.s.sociated with feelings. The individual color leaves us esthetically indifferent. When one color is joined to another, this combination can be either satisfactory or displeasing to us. What pleases in a combination is beautiful; what displeases, is ugly. Robert Zimmermann (1824 1898) has ingeniously constructed a science of art on these principles. Only a part of it, the part

that considers those relations of beauty that are concerned with the realm of action, is to be the ethics or the science of the good. The significant writings of Robert Zimmermann in the field of esthetics (science of art) show that even attempts at philosophical formulations that do not reach the summit of cultural impulses of a time can produce important stimulation's for the development of the spirit.

Because of his mathematically inclined mind, Herbart successfully investigated those processes of human soul life that really do go on with a certain regularity in the same way with all human beings. These processes will, of course, not prove to be the more intimate and individually characteristic ones. What is original and characteristic in each personality will be overlooked by such a mathematical intellect, but a person of such a mentality will obtain a certain insight into the average processes of the mind and, at the same time, through his sure skill in handling the arithmetical calculations, will control the measurement of the mental development. As the laws of mechanics enable us to develop technical skills, so the laws of the psychological processes make it possible for us to devise a technique in education for the development of mental abilities. For this reason, Herbart's work has become fruitful in the field of pedagogy. He has found many followers among pedagogues, but not among them alone. This seems at first sight hard to understand with regard to a world conception offering a picture of meager, colorless generalities, but it can be explained from the fact that it is just the people who feel a certain need for a world conception who are easily attracted by such general concepts that are rigidly linked together like terms of an arithmetical operation. It is something fascinating to experience how one thought is linked to the next as if it were through a self-operative mechanical process, because this process awakens in the observer a feeling of security. The mathematical sciences are so highly appreciated because of

this a.s.surance. They unfold their structure, so to speak, through their own force. They only have to be supplied with the thought material and everything else can be left to their logical necessity, which works automatically. In the progress of Hegel's thinking, which is saturated with reality, the thinker continually has to take the initiative. There is more warmth, more direct life in this mode of thinking, but it also requires the constant support of the soul forces. This is because it is reality in this case that the thinker catches in his thoughts, an ever-flowing reality that at every point shows its individual character and fights against every logical rigidity. Hegel also had a great number of pupils and followers, but they were much less faithful than those of Herbart. As long as Hegel's powerful personality enlivened his thoughts, they exerted their charm, and as long as his words were heard under its spell, they carried great conviction. After Hegel's death many of his pupils went their own paths. This is only natural, for whoever is self-dependent will also shape his own att.i.tude toward reality in his own fas.h.i.+on. We observe a different process with Herbart's pupils. They elaborate the master's doctrine, but they continue the fundamental stock of his thoughts without change. A thinker who finds his way into Hegel's mode of thinking penetrates into the course of the world's development that is manifested in innumerable evolutionary phases. The individual thinker, of course, can be stimulated to follow this course of evolution, but he is free to shape the various stages according to his own individual mode of conception. In Herbart's case, however, we deal with a firmly constructed thought system that commands confidence through the solidity of its structure. One may reject it, but if one accepts it, one will have to accept it in its original form.

For the individual personal element, which challenges and forces us to face the self of another thinker with our own self, is lacking here.

”Life is a miserable affair; I have decided to spend mine by thinking about it.” Arthur Schopenhauer (1788 1861) spoke these words in a conversation with Wieland at the beginning of his university years, and his world conception sprang from this mood. Schopenhauer had experienced personal hards.h.i.+p and had observed the sad lives of others when he decided upon concentrating on philosophical thought as a new aim of life. The sudden death of his father, caused by a fall from a storehouse, his bad experiences in his career as a merchant, the sight of scenes of human miseries that he witnessed as a'

young man while traveling, and many other things of similar kind had produced in him the wish, not so much to know the world, but rather to procure for himself a means to endure it through contemplation. He needed a world conception in order to calm his gloomy disposition. When he began his university studies, the thoughts that Kant, Fichte and Sch.e.l.ling introduced to the German philosophical life were in full swing. Hegel's star was just then rising. In 1806 he had published his first larger work, The Phenomenology of the Spirit. In Goettingen, Schopenhauer heard the teachings of Gottlob Ernst Schulze, the author of the book, Aenesidemus, who was, to be sure, in a certain respect an opponent of Kant, but who nevertheless drew the student's attention to Kant and Plato as the two great spirits toward whom he would have to look. With fiery enthusiasm Schopenhauer plunged into Kant's mode of conception. He called the revolution that his study caused in his head a spiritual rebirth. He found it even more satisfactory because he considered it to be in agreement with the views of Plato, the other philosopher Schulze had pointed out to him.

Plato had said, ”As long as we approach the things and events merely through sensual perceptions, we are like men who are chained in a dark cave in such a way that they cannot turn

their heads; therefore, they can only see, by means of the light of a fire burning behind them, the shadows upon the opposite wall, the shadows of real things that are carried between the fire and their backs, the shadows of each other and of themselves. These shadows are to the real things what the things of sensual perception are to the ideas, which are the true reality. The things of the sensually perceptible world come into existence and pa.s.s again, the ideas are eternal.”

Did not Kant teach this, too? Is not the perceptible world only a world of appearances for him also? To be sure, the sage from Koenigsberg did not attribute this eternal reality to the ideas, but with respect to the perception of the reality spread out in s.p.a.ce and time, Schopenhauer thought Plato and Kant to be in complete agreement. Soon he also accepted this view as an irrevocable truth. He argued, ”I have a knowledge of the things insofar as I see, hear, feel them, etc., that is to say, insofar as I have them as a thought picture in my mind's eye.

An object then can be there for me only by being represented to my mind as a thought image. Heaven, earth, etc., are therefore my mind's imaginations, for the ”thing in itself' that corresponds to them has become my mind's object only by taking on the character of a thought representation.”

Although Schopenhauer found everything that Kant stated concerning the subjective character of the world of perception absolutely correct, he was not at all satisfied with regard to Kant's remarks concerning the thing in itself. Schulze had also been an opponent of Kant's view in this respect. How can we know anything at all of a ”thing in itself”? How can we even express a word about it if our knowledge is completely limited to thought pictures of our mind, if the ”thing in itself” lies completely outside their realm? Schopenhauer had to search for another path in order to come to the ”thing in itself.” In his search he was influenced by the contemporary world conceptions more than he ever admitted. The element that

Schopenhauer added to the conviction that he had from Kant and Plato as the ”thing in itself,” we find also in Fichte, whose lectures he had heard in 1811 in Berlin. We also find this element in Sch.e.l.ling. Schopenhauer could hear the most mature form of Fichte's views in Berlin. This last form is preserved in Fichte's posthumous works. Fichte declared with great emphasis, while Schopenhauer, according to his own admission, ”listened attentively,” that all being has its last roots in a universal will. As soon as man discovers will in himself, he gains the conviction that there is a world independent of himself as an individual. Will is not a knowledge of the individual but a form of real being. Fichte could also have called his world conception, The World as Knowledge and Will. In Sch.e.l.ling's book, Concerning the Nature of Human Freedom and Matters Connected with This Problem, we actually find the sentences, ”In the last and deepest a.n.a.lysis there is no other being than will. Will is fundamental being and will alone can claim all its predicates: To be without cause, eternal, independent of time, self- a.s.sertive. All philosophy is striving for just this aim, to find this highest expression.”

That will is fundamental being becomes Schopenhauer's view also. When knowledge is extinguished, will remains, for will also precedes knowledge. ”Knowledge has its origin in my brain,” says Schopenhauer, ”but my brain must have been produced through an active, creative force. Man is aware of such a creative energy in his own will.” Schopenhauer now attempts to prove that what is active in all other things is also will. The will, therefore, is, as the ”thing in itself,” at the root of all reality that is merely represented in the thought pictures of our mental life, and we can have a knowledge of this ”thing in itself.” It is not, as Kant's ”thing in itself,” beyond our perceptive imagination but we experience its actuality within our own organism.

The development of modern world conception is progressive in Schopenhauer insofar as he is the first thinker to make the attempt to elevate one of the fundamental forces of the self- consciousness to the general principle of the world. The active self-consciousness contains the riddle of the age.

Schopenhauer is incapable of finding a world picture that contains the roots of self-consciousness. Fichte, Sch.e.l.ling and Hegel had attempted to do that. Schopenhauer takes one force of the self-consciousness, will, and claims that this element is not merely in the human soul but in the whole world. Thus, for him, man is not rooted with his full self-consciousness in the world's foundation, but at least with a part of it, with his will. Schopenhauer thus shows himself to be one of those representatives of the evolution of modern world conception who can only partially encompa.s.s the fundamental riddle of the time within their consciousness.

Goethe also had a profound influence on Schopenhauer. From the autumn of 1813 until the following spring, the young Schopenhauer enjoyed the company of the poet. Goethe introduced him personally to his doctrine of colors. Goethe's mode of conception agreed completely with the view that Schopenhauer had developed concerning the behavior of our sense organs and our mind in the process of perception of things and events. Goethe had undertaken careful and intensive investigations concerning the perceptions of the eye and phenomena of light and colors, and had elaborated their results in his work, Concerning the Doctrine of Colors. He had arrived at results that differed from those of Newton, the founder of the modern theory of color. The antagonism that exists in this field between Newton and Goethe cannot be judged properly if one does not start by pointing to the difference between the world conceptions of these two personalities. Goethe considered the sense organs of man as the highest physical apparatuses. For the world of colors, he

therefore had to estimate the eye as his highest judge for the observation of law-determined connections. Newton and the physicists investigated the phenomena that are pertinent to this question in a fas.h.i.+on that Goethe called ”the greatest misfortune of modern physics,” and that consisted in the fact that the experiments have been separated, as it were, from man.

One wants to know nature only according to the indications of artificial instruments and thereby even intends to limit and to prove what nature is capable of.

The eye perceives light and darkness and, within the light- dark field of observation, the colors. Goethe takes his stand within this field and attempts to prove how light, darkness and the colors are connected. Newton and his followers meant to observe the processes of light and colors as they would go on if there were no human eye. But the stipulation of such an external sphere is, according to Goethe's world conception, without justification. We do not obtain an insight into the nature of a thing by disregarding the effects we observe, but this nature is given to us through the mind's exact observation of the regularity of these effects. The effects that the eye perceives, taken in their totality and represented according to the law of their connection are the essence of the phenomena of light and color, not a separated world of external processes that are to be determined by means of artificial instruments.