Part 20 (1/2)
”I?--Why I,” said Mr. Cyril Gristmille, ”could make an actress of a doughboy to say nothing of so perfect a little gentleman as you.”
”How adorable! What do I do first?”
”The first thing you do,” he said, and suddenly took her by the shoulder and shook her thoroughly, ”is to understand that you do every little d.a.m.n thing I tell you without making any fuss or faces about it. Do you get me?”
He shook her again till her curls rattled.
Verbeena listened breathlessly and breathless isn't much of a word for it. Her heart wobbled.
”You are always to remember _I_--_I_ am boss.
”And don't you try to carry out any notions of your own while you are acting around me.
”You are to look, walk, talk, eat, weep, whimper, smile, sob, stalk, twirl, mince, mope, wriggle, squirm, turn, stand, run, race, limp, love, lallygag, or any old other darn thing I mention and demand just as you hear me give the orders to do it or I'll take you and your movie aspirations and bury them for once and all ten thousand feet deep right in here in the sands of the Sahara!
”Once again,” he fixed her with his piercing eye, ”I ask--do you get me?”
What Verbeena got was very hot under her boyish Eton collar and meant to answer him scornfully but she felt her heart beating as if it meant to beat it altogether.
However, the Movie Maharajah was not paying the slightest attention to how she took it at all. He was giving his attention to a flock of camera men, actors and such like arriving in 2,000 aeroplanes that left for the Sahara that morning from Los Angeles.
She could not fight down the thrill that came at the study she then began somewhat surrept.i.tiously to make of the commanding figure of the Movie Monarch among his men. The way he talked to them was a shame.
The way they took it, cringing, cowering, fawning yet with adoration in their eyes, was a wonder.
He seemed suddenly to remember her.
”What are you standing there goofing for and staring that way at me?
Don't you know that you are to be a girl in the first reel?”
”I--I,” hot shame mantled Verbeena's cheek. Why was it she did not step straight forward and punch him in the nose? But somehow, he made her so acutely conscious of her s.e.x, or, rather, of what s.e.x he wanted of her.
”You are to be a girl in this first reel I tell you. Get back into your tent and take that football suit off and put on something close, clinging, and when you get it on work up a good, hippy walk--hippy and a bit slouchy. Go on instantly, and get _him_ off and put _her_ on.”
The man was simply terrible. With dragging feet she retreated to her tent and for the boy's clothes that somehow made her feel good and tough and ready to take chances with both hands, she submergedly subst.i.tuted a frock that she was fiercely angry with herself to find herself, indubitably she herself, hoping would please him.
And it didn't--no chance.
Not with that movie mahout.
”In the name of all that's horrible!” he cried at her. ”Is that the best thing you've got to offer in clothes? It doesn't fit you--it flops! Here--that skirt wants shortening and it wants tightening too, and you can only see the half of the small of your back. Away with that flock of rags! Got any others--in heaven's name, answer!”
”Yes--yes, sir.”
”Go in and put another one on then and for the love of Pete, try to pick something that looks like something above a dollar ninety-eight on a bargain counter. Take that off--quick! Must I be your dressmaker as well as your director?”
”O, sir,” sobbed Verbeena Mayonnaise.